likeafieldmouse:

Frank Hallam Day - Ship Hulls (published 2011)
likeafieldmouse:

Frank Hallam Day - Ship Hulls (published 2011)
likeafieldmouse:

Frank Hallam Day - Ship Hulls (published 2011)
likeafieldmouse:

Frank Hallam Day - Ship Hulls (published 2011)
likeafieldmouse:

Frank Hallam Day - Ship Hulls (published 2011)
likeafieldmouse:

Frank Hallam Day - Ship Hulls (published 2011)
likeafieldmouse:

Frank Hallam Day - Ship Hulls (published 2011)
likeafieldmouse:

Frank Hallam Day - Ship Hulls (published 2011)
likeafieldmouse:

Frank Hallam Day - Ship Hulls (published 2011)
likeafieldmouse:

Frank Hallam Day - Ship Hulls (published 2011)

captainamericaisavirgin:

blackzephyrus:

captainamericaisavirgin:

feminism never made me hate men but the reaction to feminism sure as shit did

some men* you literally cannot hate people you’ve never met or even heard of.

oh MY GOD OH MY GOD OHH M Y GOD OH MY GOD OH MY GOD OHHHYM GOD OH MY GOD OH MY OD OOOOOH MY GOD oh MY GOD OH MY GOD OH MY GOD O H MY GO D OH MY GOD O H M Y GO D OH MY GOD OH MY GOD

(via coeursdesanges)

ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio
Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).
ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio
Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).
ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio
Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).
ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio
Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).
ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio
Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).
ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio
Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).
ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio
Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).
ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio
Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).

ryanpanos:

Theater Series | Hiroshi Sugimoto | Socks Studio

Starting in the late 1970s, Hiroshi Sugimoto took pictures of cinemas interiors and drive-ins with the aim of encapsulate the whole lenght of a movie in a single shot. He left the camera shutters open throughout the running of a movie and the glowing screen of the cinemas was left as a trace on each take. A somehow uncanny light resonates in the dark cinema halls. At a further glance, this central light ethereally underlines the rich architectural details of the theater interiors. You might want to confront Sugimoto’s work with Michael Wesely’s, a photographer that uses to take photographs featuringi  3 years long exposures: read “The passing of time“, (on Socks).

(via you-raver-you-seer-of-visions)

betype:

The Swan Mallard by John Randall.
betype:

The Swan Mallard by John Randall.
betype:

The Swan Mallard by John Randall.
lomographicsociety:

Snippets and Vignettes: Untranslatable Words in .GIF Form via ‘Wordstuck’
Learn a new foreign word or two in this week’s Snippets and Vignettes installment! http://bit.ly/1v9zMdm
lomographicsociety:

Snippets and Vignettes: Untranslatable Words in .GIF Form via ‘Wordstuck’
Learn a new foreign word or two in this week’s Snippets and Vignettes installment! http://bit.ly/1v9zMdm
lomographicsociety:

Snippets and Vignettes: Untranslatable Words in .GIF Form via ‘Wordstuck’
Learn a new foreign word or two in this week’s Snippets and Vignettes installment! http://bit.ly/1v9zMdm
lomographicsociety:

Snippets and Vignettes: Untranslatable Words in .GIF Form via ‘Wordstuck’
Learn a new foreign word or two in this week’s Snippets and Vignettes installment! http://bit.ly/1v9zMdm

lomographicsociety:

Snippets and Vignettes: Untranslatable Words in .GIF Form via ‘Wordstuck’

Learn a new foreign word or two in this week’s Snippets and Vignettes installment! http://bit.ly/1v9zMdm

52hearts:

(via Truvelle | Miss Moss)
52hearts:

(via Truvelle | Miss Moss)
52hearts:

(via Truvelle | Miss Moss)
52hearts:

(via Truvelle | Miss Moss)
52hearts:

(via Truvelle | Miss Moss)
52hearts:

(via Truvelle | Miss Moss)
52hearts:

(via Truvelle | Miss Moss)
52hearts:

(via Truvelle | Miss Moss)
52hearts:

(via Truvelle | Miss Moss)
52hearts:

(via Truvelle | Miss Moss)

blackgirlstalking:

I’m somewhere between six and nine years old and I hate the way the pants I’m wearing feel on my body so much that I throw myself on the couch near the stairs and cry, begging my mother to not make me go to school. Five years later I’ll tell myself that the recommended…

nevver:

Pattern recognition
nevver:

Pattern recognition
nevver:

Pattern recognition
nevver:

Pattern recognition
nevver:

Pattern recognition
nevver:

Pattern recognition
nevver:

Pattern recognition
nevver:

Pattern recognition
mydarkenedeyes:

Nathan Carême
mydarkenedeyes:

Nathan Carême
mydarkenedeyes:

Nathan Carême
mydarkenedeyes:

Nathan Carême
mydarkenedeyes:

Nathan Carême
mydarkenedeyes:

Nathan Carême
mydarkenedeyes:

Nathan Carême

Let me tell you some things.

I used to investigate child abuse and neglect. I can tell you how to stop the vast majority of abortion in the world.

First, make knowledge and access to contraception widely available. Start teaching kids before they hit puberty. Teach them about domestic violence and coercion, and teach them not to coerce and rape. Create a strong, loving community where women and girls feel safe and supported in times of need. Because guess what? They aren’t. You know what happens to babies born under such circumstances? They get hurt, unnecessarily. They get sick, unnecessarily. They get removed from parents who love them but who are unprepared for the burden of a child. Resources? Honey, we try. There aren’t enough resources anywhere. There are waiting lists, and promises, and maybes. If the government itself can’t hook people up, what makes you think an impoverished single mom can handle it?

Abolish poverty. Do you have any idea how much childcare costs? Daycare can cost as much or more than monthly rent. They may be inadequately staffed. Getting a private nanny is a nice idea, but they don’t come cheap either. Relatives? Do they own a car? Does the bus run at the right times? Do they have jobs of their own they need to work just to keep the lights on? Are they going to stick around until you get off you convenience store shift at 4 AM? Do they have criminal histories that will make them unsuitable as caregivers when CPS pokes around? You gonna pay for that? Who’s going to pay for that?

End rape. I know your type errs on the side of blaming the woman, but I’ve seen little girls who’ve barely gotten their periods pregnant because somebody thought raping preteens was an awesome idea. You want to put a child through that? Or someone with a mental or physical inability for whom pregnancy would be frightening, painful or even life-threatening? I’ve seen nonverbal kids who had their feet sliced up by caregivers for no fucking reason at all, you think sexual abuse doesn’t happen either?

You say there’s lots of couples who want to adopt. Kiddo, what they want to adopt are healthy white babies, preferably untainted by the wombs and genetics of women with alcohol or drug dependencies. I’ve seen the kids they don’t want, who almost no one wants. You people focus only on the happy pink babies, the gigglers, the ones who grow and grow with no trouble. Those are not the kids who linger in foster care. Those are certainly not the older kids and teenagers who age out of foster care and then are thrown out in the streets, usually with an array of medical and mental health issues. Are they too old to count?

And yeah, I’ve seen the babies, little hand-sized things barely clinging to life. There’s no glory, no wonder there. There is no wonder in a pregnant woman with five dollars to her name, so deep in depression you wonder if she’ll be alive in a week. Therapy costs money. Medicine costs money. Food, clothes, electricity cost money. Government assistance is a pittance; poverty drives women and girls into situations where they are forced to rely on people who abuse them to survive. (I’ve been up in more hospitals than I can count.)

In each and every dark pit of desperation, I have never seen a pro-lifer. I ain’t never seen them babysitting, scrubbing floors, bringing over goods, handing mom $50 bucks a month or driving her to the pediatrician. I ain’t never seen them sitting up for hours with an autistic child who screams and rages so his mother can get some sleep while she rests up from working 14-hour days. I don’t see them fixing leaks in rundown houses or playing with a kid while the police prepare to interview her about her sexual abuse. They’re not paying for the funerals of babies and children who died after birth, when they truly do become independent organisms. And the crazy thing is they think they’ve already done their job, because the child was born!

Aphids give birth, girl. It’s no miracle. You want to speak for the weak? Get off your high horse and get your hands dirty helping the poor, the isolated, the ill and mentally ill women and mothers and their children who already breathe the dirty air. You are doing nothing, absolutely nothing, for children. You don’t have a flea’s comprehension of injustice. You are not doing shit for life until you get in there and fight that darkness. Until you understand that abortion is salvation in a world like ours. Does that sound too hard? Do you really think suffering post-birth is more permissible, less worthy of outrage?

“Pro-life” is simply a philosophy in which the only life worth saving is the one that can be saved by punishing a woman.

In reply to a ‘pro-life’ blogger: STFU, Conservatives: When I say I’m pro-life… (via grrrltalk) emphasis mine. (via fuckyeahfeminists)

Anti-choice

(via kaosafro)

(via dynastylnoire)

dallasclayton:

If you are a parent
the best advice I can give
is to pick something your children want to learn
and learn it with them.

Put yourself down on their level,
make yourself vulnerable
and push off from each other.
Fail and thrive in harmony.

Let them see what it’s like
to build something from the ground up
with a partner knows just as little as they do
but believes more than anything
in the value of persistence,
the gospel of hard work,
and the strength of a true collaboration.

thepoliticalfreakshow:

Video posted online on Tuesday depicts the arrest and Tasing of an unidentified Black man in St. Paul, Minnesota for seemingly little reason other than his refusal to state his name, the Twin Cities Daily Planet reported.

“Why am I going to jail?” the man can be heard saying toward the end of the nearly 6-minute long clip.

“It’ll be explained to you,” a male officer responds.

The video, which seemed to have been taken on a cell phone this past winter, begins with a female officer walking beside the man and asking for his name.

“Why do I have to let you know who I am?” the man asks. “I don’t have to let you know who I am if I haven’t broken any laws.”

Minnesota does not currently have a “stop and identify” statute in place. Those laws give police the right to arrest someone if they do not identify themselves

“I want to find out who you are, and what the problem was back there,” the first officer says. TheDaily Planet reported that a store clerk called police after the man was sitting in front of his store.

“I do not have to let you know who I am if I haven’t broken any laws,” the man says, adding that he explained to the clerk that he sat near the store for 10 minutes before going to pick up his children at a nearby school, New Horizon Academy.

“He walked up to me a minute later and got irate with me,” the man says of the clerk. “That’s a public area, and if there’s no sign that [says], ‘This is a private area, you can’t sit here,’ no one can tell me I can’t sit there.”

“The problem was,” the officer begins to say, before the man cuts her off, saying, “The problem is, I’m Black.”

Seconds later, the male officer approaches, and the man asks, “Please don’t touch me.”

“You’re gonna go to jail, then,” the officer responds, before he and his colleague grab the man.

“Come on brother,” the man says, “This is assault.”

“I’m not your brother,” the second officer answers. “Put your hands behind your back otherwise it’s going to get ugly.”

At that point, the male officer orders him to put his hands behind his back. The argument continues for a few more seconds before the image goes black. But the man can be heard yelling for help. As some children are heard in the distance, the man says, “That’s my kids right there.”

“Put your hands behind your back,” the officer can be heard yelling, before threatening to use the Taser. The device can be heard flickering at the 2:17 mark, before the man yells for help again.

Later on, the female officer can be heard asking, “Did I not ask you to stop to talk to me?”

Watch the video, as posted online on Tuesday, below.

[Image via Flickr Creative Commons]

(via dynastylnoire)